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Showing posts with label Tobago Trinidad. Show all posts
Showing posts with label Tobago Trinidad. Show all posts

Monday, 10 September 2012

'Charm' for Carnival


One of the new mas bands that is expected to take to the streets on Carnival Monday and Tuesday 2013, with its presentation Charm, is being produced by Robert Amar and his wife, Sharon, along with a team of experts in the arena they've assembled.
Amar is a businessman who took over his father's successful auto dealership in the 1980's and, from there, branched into several other ventures, including the Caribbean Sound Basin Recording Studios and the Kiskeedee Karavan.
Having served as an executive member of the team producing the mas band known as D'Krew for some time, Amar is now seeking to employ the experience gathered there into creating a new experience for masqueraders of Charm. The band was officially launched on September 1 at the car park of the Gravity nightclub in St James.


This model displays the design for Captivate
Amar said at the launch that he will ensure all members of Charm the highest quality service possible on the road throughout Carnival Monday and Tuesday. "I believe that it's time to raise the bar a notch as it relates to how masqueraders are serviced," he said.
Charm offers an all-inclusive service and will also feature a number of amenities not previously available to masquerders. " The public will see new systems in bar service and overall fun and excitement when the band Charm hits the streets of Port of Spain on Carnival Monday and Tuesday in 2013," Amar said. 
SOURCE:EXPRESS

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Wednesday, 29 August 2012

Europe's 'Biggest Street Festival' Rocks London


By Selah Hennessy

LONDON — During a summer dominated by the Olympics, Europe's largest street festival, the Notting Hill Carnival, gave London revelers another thing to smile about Sunday and Monday. The carnival is an important cultural event led by the West Indian community in London. 

About 1 million people poured onto the streets of west London during the two days of the Notting Hill Carnival.  Swamped on all sides by massive crowds, hundreds of groups took part in the parade, dancing to the beat of pounding music that pumped through loudspeakers.   

Their costumes ranged from the colorful and extravagant to the surprising and surreal.  The members of a group called "Chocolate Nation" arrived splattered head to foot in melted chocolate.

VOA accompanied one band, called Jamboulay Carnival Arts, along the route.  It is run by Francesca Bailey, who said getting ready for Carnival takes her the whole year.

She has to raise the money, around $10,000, to run workshops, build a float, and get the costumes ready.  But she says she does it to keep her culture alive.

"We do it every year because for us it is a very cultural thing, and it is important that we continue with our culture.  Carnival is something that began many years ago in Trinidad and Tobago, and it was based on the emancipation of slavery and it has over the years, it has progressed and evolved.  So, it is nice to see that it has come to Britain and really evolved over the years," Bailey said.

The first day of the carnival, Sunday, is dubbed "Family Day" and is especially for young people.

One of Bailey's sons, 17-year-old Bami Bailey, has been coming to the Carnival with his mother since he was a small child.  He told VOA it has been an important relief from his day-to-day life.

"A lot of us "black kids," shall I say, we live in London ... we live in not poverty, but we live in the bad, terrible areas.  And just a place full of crime and stuff like that.  And carnival is a place where you are always happy, you get a good feeling and everything," Bailey said.

Notting Hill Carnival originated about five decades ago, in part to improve race relations in London.  It is led by the West Indian community, but also incorporates communities from all over the world.  

Participants raise money from various organizations, including local councils, and much of the work is done voluntarily.

Tailor Thomas Benjamin, who is originally from Trinidad and Tobago, has been volunteering his services for the past 10 years, helping to make costumes for the Carnival.  He says he does it to help young people.

"If we are able to reach children before they are exposed to negative things then you save one child from going to jail, you save one child from being in the grave.  The minute the youth, he reaches 14, 15, 16, if he does not have a Carnival background, if he did not have something positive to turn to, then most of the time it is a dead-end situation," Benjamin said.

He says it is an important diversion for young people in his borough, Hackney, one of a number of London neighborhoods that was rocked by riots last year; vehicles and buildings were set on fire and shops across the city were looted.
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Friday, 27 July 2012

Celebrating Carnival at the ROM



Carnival is a pre-lent festive season that is celebrated around the world, but especially in Trinidad and Tobago and on other Caribbean isles, where the event culminates in giant parades the day before Ash Wednesday. Traditionally, participants in those parades wear elaborate, colourful costumes, like Mac Farlane’s.
Opening to the public on Saturday, “Carnival: From Emancipation to Celebration” features a gallery of sketches of Mac Farlane’s thematic designs over the past three years. Since beginning his career as a teenager in the early 1970s, Mac Farlane has won numerous awards for his Carnival work in Trinidad and Tobago and has been tapped to provide presentations for international events like this year’s Olympics. Looking at the sketches, one can see why his work has earned such prestige. His designs are attention-grabbing, and layered with symbolism.
Sketch by Brian Mac Farlane for Aphotic costumes, 2012. According to the interpretive notes, these outfits project "a sense of hopelessness and despair" that people feel when they are "rendered powerless by the negativity that surrounds them.

Take the “Sanctification…In Search Of” series of outfits Mac Farlane produced this year. According to his website, the designs came about as a result of his pain “at the inhumane way in which we treat each other.” Headline after headline regarding crime, the worsening economy, and the fraying of the social fabric led Mac Farlane to create a series of costumes employing the colours of Trinidad and Tobago’s flag: “Red represents our blood; Black represents the darkness, in which we currently find ourselves; and White represents cohesiveness and unity that form part of the solution.” The result is outfits that range from demonic figures draped in blood and darkness, to lighter figures embodying patriotism—which seems appropriate given this year’s celebration of the golden anniversary of Trinidad and Tobago’s independence from Great Britain.
Besides Mac Farlane’s work, the gallery also features images from the past 45 years of Toronto’s Carnival celebrations (though don’t go looking for any reference to the festival’s former name, which the organizers are now legally prohibited from using). Video clips include thoughts from the likes of Toronto Raptor Jamaal Magloire on the meaning of the celebration. One drawback to the exhibit is how it’s split up. It’s unfortunate that Mac Farlane’s costumes are one floor away from the sketches they grew from. Rather than being almost hidden away in a corner, the full-size outfits could have formed a focal point in the centre of the exhibit’s main second-floor gallery.
Photos by Jamie Bradburn/Torontoist.
Carnival: From Emancipation to Celebration
Royal Ontario Museum (100 Queen’s Park)
July 28, 2012 through February 24, 2013
$15 adults, $13.50 students and seniors (part of regular admission




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